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知名大学建筑专业的优等生「 吴铭天」，因就业环境不佳，毕业后为了生计、抛弃建筑师的梦想，随大流进入了[红富市]市场营销策划公司-企划组。勤勤恳恳、任劳任怨的工作已近三年。但公司加班风气盛行，日日早出晚归|直属领导包罗PUA现象严重，前途无望。铭天的生活也变成了单调的机械性重复。直到有一天流星划过，铭天几次在同一个周五早晨醒来，终于意识到自己陷入了一个时间的循环.....。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。在帝国食品公司营业开发部供职的绀野祐太（草彅刚 饰）是一个永远挂着温暖笑容的和善男子，但是事业和爱情中接二连三的意外事件，却让他那颗正义善良有如阳光般明亮的心蒙上了阴影。于是出乎所有人的意料，绀野在30岁正当年时突然辞职。当然他并没有自感沉沦，而是重新拿起了书本坐进医学部的课堂苦读。数年后，37岁“高龄”的绀野以研修医的身份进入大学附属医院任职。只不过白衣天使的岗位上，依然有着这样那样的潜规则和暗箱操作，绀野能否坚守自己一以贯之的道德和职业底线呢？ 本片以该剧主人公以内科医生、作家川渕圭一的故事为原型。。