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以中年消防官员许淘的视角，回顾了一众消防员的热血故事。队长何戎，在消防安全的问题上有着严苛的要求，严令的背后压抑着眼见队友牺牲的痛。却也因全情对消防的投入，忽略了家人。副队长路超，放不下消防，割舍不下部队，甚至不惜服用药品来坚持这份事业。王东，带着消防人的传承精神来到部队，热爱音乐、青春可爱，却在一次次火场救援中展露出勇敢与坚持。而许淘更是从一个骄纵不羁的纨绔子弟，在消防的战场上，在一次次见证生死的争夺、甚至挚友牺牲之后，完成了他的成长与新生。又逢新兵入伍，当他以领路人的姿态回顾起那段峥嵘岁月，才发现原来消防精神的传承早在冥冥之中，播下种子……。从表面上来看，美夕（长沢美树 配音）是一个普通的少女，但她还有着第二重身份——东方吸血鬼。但是，作为一个吸血鬼，美夕的猎物并不是人类，正相反，她的任务是解救被“魔神”侵蚀的人类，不惜一切手段，甚至是将人类送入地狱。“魔神”，是善于控制人类心智的一种魔物，它们潜伏在人类的内心深处，待到最恰当的时机突然爆发，而这种爆发，对于人来来说，往往都意味着死亡。美夕正是用吸血的方式，将魔神驱逐出人类的身体再加以消灭。同时，作为美夕一直的敌人，冷羽（绪方美惠 配音）一直在其后紧追不舍。 在战斗的进程中，美夕渐渐发现，魔神并不是真正的敌人，真正的敌人是躲在魔神背后的操纵者，只有消灭了操纵者，才能够使人类获得永恒的救赎。而当操纵者的真面目出现在美夕面前时，美夕受到了极大的震撼。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。