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20 年前

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Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。花田一路,虽然只是一个小学三年级学生,却是村里远近闻名的小捣蛋鬼,性格属于天不怕地不怕,唯一弱点却是害怕幽灵,甚至不敢自己上厕所。一天,花田一路闯下大祸,把家里唯一的黑白电视机打坏了。为了躲避妈妈的追打,他骑着邻居的自行车逃跑,却在半路发生车祸。昏迷中,花田一路被幽灵吓醒,逃过了鬼门关,后脑勺上被缝了9针,而且还获得通灵的超能力。小雪是第一个请求花田一路帮忙的幽灵,在完成人世间的遗愿后,小雪得以顺利升天。之后幽灵们应接不暇地出现,用哀求、恐吓、威逼利诱等方式获得花田一路的帮助…… 本片是一色真人的幽灵喜剧漫画——《花田少年史》TV版,2003年入围东京国际动画博览会最优秀作品奖,夺得亚洲长篇动画优秀作品奖。。

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