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火车上，贺森矿长的女儿玉丹防止要离去的孟春雨父子。宋家宝告诉爱着贺玉丹的矿务局局长的儿子程跃进与孟春雨的暧昧关系。但在老工人牛师傅的启发下，程跃进揭发了宋家宝的恶劣行径，导致其被撤职。玉丹不顾世俗观念，爱着离婚的孟春雨。宋家宝等人总是以此为借口要整倒孟春雨，但都失败了。贺森让孟春雨开发肥坡，但春雨没按照贺森的要求去做，他觉得瘦坡更有价值。而宋家宝找人打孟春雨，玉丹相救而受伤。没按厂长吩咐的春雨只好辞职。婚礼上，玉丹没等到春雨，毅然随春雨而去。。1970年是法斯賓達的電影人生中最多產的一年，單是劇情長片便拍了不下六部風格、類型、題材等皆各異的作品，而黑色喜劇《小心聖妓》便是其一。但對影迷來說，也許更重要的是此片乃法斯賓達自認最好的個人作品。雖然影片的名字像極與妓女有關，不過故事內容卻是另一回事。它主要講述一群苦候拍攝電影的人，因導演失蹤、器材不見，唯有在冠冕堂皇的西班牙酒店內有如行屍走肉四處飄浮，直至導演出現，大家才抖擻精神。怎料導演忙於拍攝之餘，更要落力應付各方滋事份子，令他疲於奔命，最後他還要面對巨大的財政壓力，而各位演員也開始鼓譟起來．．．此片無疑可說是導演的個人寫照，透過自嘲、黑色幽默等手法諷刺片場如地獄，不過更值得注意的是此片的混雜風格，既承接他早期的劇場化敘事，亦開其日後的通俗劇形式，可說是法斯賓達電影創作上的重要過渡作品。 1970 was the most prolific year for Fassbinder, he made six features of different style, genre and theme, and Beware of a Holy Whore was the director's personal favourite. Despite its title the film has absolute nothing to do with prostitution. With the director and equipment missing, a group of actors and crew can do nothing but to wait aimlessly inside a posh Spanish hotel. The director finally appears, but he is soon entangled with the trouble makers on the set and pressure from his financers| not before long, the actors are starting to get riotous…A black comedy and a satire of the movie set being "hell", a self-mockery on the perils of being a director. An important work where Fassbinder was making a transition from his early Brechtian style to more conventional narrative. Source: 世界電影經典回顧 2006 節目二 - 德國電影新浪潮。