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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。千年古都日本京都，每年有成千上万的游客从世界四面八方来此游玩，他们感受着这里古朴凝重的气息，却不知由欲望引发的杀人事件也接二连三在这里发生，撕碎着古都的和平与安宁。女中豪杰橘珠子（真矢美纪 饰）是京都府警搜查一课城户班的一名得力干将，她似乎很少第一时间出现在各种案发现场，反而穿着轻便的服装周游在京都的大街小巷，仿佛游客一般用双脚感受古都的脉搏。她熟知大街小巷的一切，亲手制出可提供情报信息的搜查地图，因而被警署同侪称作“人肉GPS”。 虽然这些都是看似不起眼的基础工作，然而多亏了橘珠子细致入微的工作，让一桩桩案情的调查有了突破性的进展，她在制作地图中也一次次发现经常被人忽视的重点……。