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江若宁从小和双胞胎姐姐江若云分离，等她回国后，却只得到了姐姐的死讯。而姐姐的丈夫却能因此拿到一笔巨额赔偿金。江若宁直觉姐姐的死有蹊跷，于是她扮作盲人，顶替姐姐的身份回到了其丈夫身边，誓要替姐姐报仇。。“全球健身中心”的创始人怀特•古德曼（本•斯蒂勒 Ben Stiller 饰）为人嚣张，以兼并其它健身馆为乐事。健身中心附近有一家惨淡经营的大众健身馆，其负责人彼得（文斯•沃恩 Vince Vaughn 饰）生性淡漠，对一班怪诞的老顾客长期免费服务。为吞并大众健身馆，古德曼购入后者的债权，并委托银行找来律师凯特（克里斯蒂娜•泰勒 Christine Taylor 饰）要求彼得在30天内筹集五万美元还债，否则健身馆将转入古德曼名下。一筹莫展的彼得与众位老顾客、雇员想到参加拉斯维加斯举办的“躲避球大赛”，期望得到冠军奖金解决燃眉之急。同时不堪古德曼骚扰的凯特也加入了彼得一边，古德曼亦组织球队参赛，意欲将彼得等人截杀……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。